For the analysis of Postmodernism, I have chosen the trailers of two of my favourite movies: “Adaptation” provided by Mariel and “Magnolia” from one of my favourite films directors, Paul Thomas Anderson.

This is the link for “Magnolia”: http://www.youtube.com/watch?v=zwXDHSrNFbQ
Features of Postmodernism present in “Magnolia”:
· Questioning the grand narratives: this film questions the concept of religion as it is an aesthetic movie.
· Lack of distinction between game and reality: The whole story goes around a game show.
· Subjectivity: Stream of consciousness. The director lets us get inside the characters’ minds and hearts with dazzling style.
· Mini narratives and Simultaneity: The film deals with different stories at the same time. It is a Rhizone story as it shows connections between events and people without any causative explanation.
Features of Postmodernism present in “Adaptation”:
· Simultaneity and simulacra: The film mixes the present with not only the past and future, but also with the imaginary. Adaptation is about a script writer's process of adapting a book to film and an author's process of writing a book about a real man and events in his life.
· Multiplicity and incompatibility: Time, place and people are constantly jumbled throughout the story. Lots of things existing at the same time but not forming any kind of pattern or unity (“Pastiche”)
· Subjectivity: Use of stream of consciousness to let the audience get inside the characters’ minds and feelings.
· Self-reflexivity: Characters do learn lessons, grown and change: “the only truth we can offer is the truth that's our own experience of the world" (Adaptation).
I believe I saw Magnolia a long time ago, and I can't tell for certain from the trailer, but your explanation does not account for the questioning of grand narratives and the lack of distinction between game and reality. In addition, from what I have read, what appears as a rhizomatic structure at first is explained causally at the end.
ReplyDeleteRevise the concept of self-reflexivity, please.